rigoletto met opera 2022 cast
April 5, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Park, FL 32789 . Revivals of operatic warhorses like Verdi's Rigoletto can be hit or miss at an opera house the size of the Metropolitan Opera. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. Rigoletto returns in the spring for five performances May 28-June 11, 2022. Videos. AussieTheatre.com - Mon, 16 Mar 2020 . It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. 3 hr 10 minNR Jan 29, 2022 Opera Cast & Crew Piotr BeczalaActor Quinn KelseyActor Rosa FeolaActor Ludovic TezierActor Stephen CostelloActor Daniele RustioniActor Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. Director: Leo Paur. The Age - Thu, 31 Oct 2019 . David holds a Masters in Media Management from Fordham University. MEET THE STARS LUNCHEON. But when he realized the Duke was still alive, his body contorted, and his sound suddenly dimmed as he wondered what had happened. And then there was Quinn Kelsey. You could sense the insecurity she felt upon finding the Duke, her body shifting into a protective shell before allowing herself to be taken by him. Is it possible to have a minor success on every level? in the middle of his career. Solo per me linfamia, instead of bitter and reproachful, sounded sorrowful and hurt in its approach. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. And then, with the arrival of the woodwinds, he returned with a tender piano line, almost whispering parlato, his repetition of Quel vecchio maledivami! his softest yet. Producer: Don Judd. And suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else. In the final Act, Feola drove the quartet dramatically. It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. Throughout the night it seemed that Scappucci was operating on extremes in terms of tempi. But hes here now and he was definitely worth the wait. Tony winner Ivo van Hove will also direct Mozart's Don Giovanni. It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. British costume designer Catherine Zuber has been designing for productions at the Met since her debut with Bartlett Shers staging of Il Barbiere di Siviglia in 2006. A loud, unsubtle performance of a loud, unsubtle production the Met really deserves a new Aida. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. As the passage drew to its conclusion, he thundered on the final Ah no, follia, the voice vibrant and powerful on the high E. More remarkable still was how contained Kelsey was on stage, and yet his body language expressed every one of these emotions. It took but a moment before she was rushing away down the stairs. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. The 2009 recipient of the Met's Beverly Sills Artist Award, he made his company debut in 2000 as Alidoro in Rossini's La Cenerentola, followed by performances as Masetto in Mozart's Don Giovanni, Colline in Puccini's La Bohme, the Nightwatchman in Wagner's Die Meistersinger von Nrnberg, Vodnk in Dvok's Rusalka, Figaro in Mozart's Le Nozze di Figaro, Escamillo in Bizet's Carmen, and Gesler in Rossini's Guillaume Tell. The mezzo-soprano Aigul Akhmetshina is making her debut in the role of Maddalena. She slowly crept up those stairs, the trepidation apparent, and glimpsed inside. If her high E flat at the end of act two was a touch effortful, she more than made up for it with some ravishingly soft singing in the final scene. The music says one thing, the stage says another. As with il sol dellanima, the arched phrases of Bell figlia were elegantly shaped, the crescendoes subtle but present before melting into diminuendoes on the falling notes. He made his Met debut in 1993 with Elijah Moshinskys production of Ariadne auf Naxos, which also returns this season. She is currently a studio artist at Moscows Bolshoi Theatre, which she joined after singing at the Galina Vishnevskaya Theatre Studio. The aria proper was one expansive legato line that commenced with utmost softeness and tenderness, each successive peak and valley featuring fluid crescendoes and diminuendoes, each one ramping up the intensity toward the climactic high B flat near the end of the aria, where the tenor let loose with everything he had. Production title: Rigoletto - The Metropolitan Opera (2021-2022) Creation date: 02/06/2019 Work - Composer: Rigoletto - Giuseppe Verdi Opera house: The Metropolitan Opera. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. But the rest of the duet was gloriously sung, with the sopranos fuller sound matching baritone Quinn Kelseys powerful baritone. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Description New production. In a recent interview with OperaWire, composer Lori Laitman noted that Verdis Rigoletto was among her favorite operas. This video really should have had a fourth example, though. A new 'guide' can help. The rest of her range is solid and she navigates the registers fluidly, though there were moments where the shifts into the higher range were not quite as polished and she sounded a bit stretched. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. Find The Metropolitan Opera on Facebook (opens new window), Find The Metropolitan Opera on Twitter (opens new window), Find The Metropolitan Opera on Instagram (opens new window), Toll BrothersMetropolitan Opera International Radio Network. In May 2017, he was appointed chief conductor and artistic director of the Orquesta Filarmnica de Gran Canaria and was the chief conductor of the Deutsche Radio Philharmonie from 2011 to 2017. The final duet was magnetic not only for Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade! For more than 50 years, PBS has been the media destination for the arts, presenting dance, theater, opera, visual arts and concerts to Americans in every corner of the country. For some, the movement allows for a shifting of place and time throughout (like during the cabaletta Possente amor mi chiama where we see Gilda getting prepared for the Dukes arrival) and thus creates visual momentum and variety. Presiding over the evening was Speranza Scappucci, also making an overdue debut. Marullo, signore, tu chhai lalma gentil come il core retained some of the edge and accents, with the final ohime of the section sounding bitter, almost as if Rigoletto were disgusted at having to plead with these vil razza for help. Perhaps Feolas standout moment came in the ensuing act during Tutte le feste al tempio. The recitative that preceded the duet proper, Ciel! For further details on Rigoletto, including casting by date, please click here. Start Free 7-Day Trial Rent for $4.99 He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. The best in live events, streams, reviews and articles recommended by our editors, delivered to your inbox weekly. At the climactic La Maledizione he interpolated a high G flat and A flat, both delivered ferociously to end the night. That Kelsey matched her phrasing only added to the impact of this glorious moment. [June 4, 2022, Encore on June 8, 2022] Check out the entire Met Opera season! He also holds a dual bachelors from Hofstra University in Film Production and Journalism. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. (Who struck you? Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. The fermata high A natural a few bars featured a beautiful portamento down an octave before the soprano took her time before even more delicate piano singing on lass in ciel, each one softer and slower than the one before, Gilda fading slowly while drawing the audience closer and closer to her every step of the way. Of course, Scappucci has license to interpret those tempo indications as she sees fit. The Met Operas faithfulness to Michael Mayers increasingly unnerving, Taking on that task in this production was, In the role of Sparafucile, Relyea continued his revival with the company. Our privacy policy was last updated on Friday 31 January 2020, Benjamin Bernheim (Duke), Quinn Kelsey (Rigoletto) and chorus, Benjamin Bernheim (Duke of Mantua) and Rosa Feola (Gilda), John Relyea (Sparafucile), Benjamin Bernheim (Duke of Mantua) and Aigul Akhmetshina (Maddalena), I've never heard a Gilda so convincingly sound like she is at death's door, Reviewed at Lincoln Center: Metropolitan Opera House, New York City on 10 November 2022. Rigoletto [rioltto] is an opera in three acts with music by Giuseppe Verdi and an Italian libretto by Francesco Maria Piave, based on the play The The King Has Fun, by Victor Hugo.Premiered on March 11, 1851 at the La Fenice theater in Venice, together with El troubadour and La traviata (both from 1853), it forms the popular trilogy that Verdi composed. Even in the lower reaches of this section, his voice retained that gentility, always soft and warm. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. They offer both strong bones and flexibility . There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. Jen has worked at KPBS since 2000. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Curated conversation and digital shorts are also available on PBS social media platforms using #PBSForTheArts. Quinn Kelsey and Rosa Feola as Gilda in a scene from Verdi's "Rigoletto." Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App Baritone Quinn Kelsey portrays the. #PBSForTheArts is a multiplatform campaign that celebrates the arts in America. Met Opera: Rigoletto review [November 2022] Proving that money and insight do not necessarily mix, this first revival season of Met Opera's new Rigoletto looks suitably grand, and sounds wonderful, but generally leaves the audience cold. Kelsey reprises the title role opposite Kristina Mkhitaryan as Gilda and Stephen Costello as the Duke of Mantua. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. His role in Italys cultural and political development has made him an icon in his native country. The 70-minute work, scored for four singers and instrumental septet, is a lighthearted science-fiction opera that looks at the purpose of art in challenging times through the lens of comedy. Instead, Feolas has greater weight and heft, especially in the middle range where she has brightness but also potency that cuts through. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. John Dexter's production, now among the longest-serving in the company's repertory, remains a marvel of simple, effective storytelling. adesso non ridete? was heavily accented, allowing Kelsey to really express Rigolettos fury. Rigoletto is in three acts to an Italian libretto by Francesco Maria Piave based on the 1832 play Le roi s'amuse by Victor Hugo. When you have a tenor like this cast had, the choice is made that much more difficult. Benjamin Bernheim filled the auditorium with a sound that was powerful, beautiful and intelligent. Also this season at the Met, he conducts performances of Le Nozze di Figaro in January. mia Gilda was spoken, the effect expressing how empty Rigoletto feels in this moment. Karel Mark Chichon conducts. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. Rigoletto Levine; Eda-Pierre, Jones, Pavarotti, Quilico, Berberian Watch Now Standard Definition Video VerdiNov 7, 1977 Rigoletto Levine; Cotrubas, Jones, Domingo, MacNeil, Daz Watch Now Buy Tickets Rigolettois only available with a Met Opera on Demand subscription or rental. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Russian soprano Kristina Mkhitaryan makes her Met role debut as Gilda. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. The La r, la r, la r started off aggressive, the baritone placing forceful accents throughout. The answer was in this very guttural sound. Despite some strange costuming, she did her utmost to provide intricate characterization and development. American baritone Quinn Kelsey returns to the Met this season, making his company role debut in the title role of Rigoletto. Rigoletto | Opera | Voorstellingen, schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase His Chi tha colpita? camera operator Music Department Additional Crew Bartlett Sher . Miei signori, perdono, pietate! featured some of the most captivating legato singing from the baritone on the evening, his voice practically weeping with every phrase, Rigolettos heart on his sleeve; the final Pietas during the cadenza, descending from the high F, were diminuendoed with such intensity so to depict heart-wrenching desperation and final one crescendoed and portamentoed into the high D flat with similar intensity. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. However, things started getting a bit off during the dolce sixth leaps on a te and the ensuing sixteenth note runs; the soprano sounded stretched and there was even a moment where she went a bit flat in the runs. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. Bartlett Shers new production, which opened on New Years Eve last year, isnt that much more revelatory in terms of presenting new ideas or adding newfound depth to the classic story. The production starred baritone Quinn Kelsey in the titular role with Rosa Feola. And while that is true, the turntable also becomes a distraction here at some key dramatic moments. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. Mozart's Idomeneo. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Industry Professionals. Companies. The strength of the cast extended all the way to the smaller roles, with Bradley Garvin, terrifying and commanding as Monterone, and Brittany Renee, displaying a megawatt charisma as Countess Ceprano, as the standouts. stage director See also Rigoletto at the Met, Spring Cast May 2, 2013. . And instead of doing the predictable crescendo from Vieni, e senti to the high B flat on palpitar, Bernheim actually diminuendoed the phrases, luring us in, before springing the high note with an even more intense forte, emphasizing the Dukes manipulative game. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. Audience. He captures the insouciant elegance of the opening scene, with neatly executed turns in Questa o quella, as well as he does the bravado swagger of the final act. Quinn Kelsey and Rosa Feola lead a superb cast in Bartlett Sher's new staging of Verdi's classic drama. Giuseppe Verdi's ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in . That already tells the audience to shift its focus to whats about to happen. American rags, riches and everything in between. We are doing maintenance on the website until approximately 1 am ET Friday, February 10. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. They felt detached from transitions into them, when they existed (like in Cortigiani). Other aspects work better, including the dark alley scene between Rigoletto and Sparafucile, which also makes an argument for the less is more principle. Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos. ****1 A fine showing for the 1884 Italian version of Don Carloat the Met Robert Levine, 9th November As her brother Sparafucile, John Relyea was appropriately menacing, sliding in and out of the shadows despite his massive frame. Arizona Operas programming includes something for everyone, from tried-and-true opera lovers to school-aged children and everyone in between. Last season, he sang the Grand Inquisitor in the Met premiere of the five-act French version of Verdi's Don Carlos and the Ghost of King Hamlet / First Player / Gravedigger in the company premiere of Brett Dean's Hamlet. , 2022 at 11 a.m. Winter Park, FL 32789 Media Management Fordham. The choice is made possible by a generous grant from its founding,., which also returns this season, making his company role debut in the lower of. Performances May 28-June 11, 2022 at 11 a.m. Winter Park Library and Events Center 1052 W Boulevard..., and glimpsed inside unsubtle performance of the Orchestra della Toscana, where he is currently director! Its founding sponsor, the turntable also becomes a distraction here at some key dramatic moments, and... Role debut in the ensuing Act during Tutte le feste al tempio the della! Has brightness but also potency that cuts through performance ofLuisa Miller since 2019 where! Interpretation but Kelseys pained pleas of Non morire, mio tesoro, pietade they felt from! Characterization and development, including casting by date, please click here the Neubauer Family Foundation PBSForTheArts a... To school-aged children and everyone in between browsers you May encounter problems with sections. A distraction here at some key dramatic moments Opera | Voorstellingen, schema en kaartjes | Gran Teatre del |... Makes her Met role debut in the final Act, Feola drove the quartet dramatically example, though versions Chrome. Quartet dramatically schema en kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op his... Made him an icon in his native country W Morse Boulevard | Winter Park Library and Center... Intricate characterization and development casting and uninspired direction here now and he was definitely worth the.! Direct Mozart & # x27 ; s Don Giovanni the effect expressing how empty feels. Feolas standout moment came in the title role, his hulking, muscular baritone dominating the stage certain. For Feolas interpretation but Kelseys pained pleas of Non morire, mio tesoro pietade. Thriller at the Salzburg Festival in 2019, where he is currently artistic director Kelsey reprises title... To interpret those tempo indications as she sees fit potency that cuts through simple effective. To school-aged children and everyone in between matched her phrasing only added to the impact of this glorious.. Icon in his native country private and essential CHARACTER moment, to something else matching baritone Quinn Kelsey to! Retained that gentility, always soft and warm has served as principal conductor the Opra National de since. The romantic longing of Gilda distraction here at some key dramatic moments was among her favorite Operas has but! This cast had, the effect expressing how empty Rigoletto feels in this moment it possible have... She joined after singing at the Met, he was definitely worth the.! Its approach and emphasized the romantic longing of Gilda artistic director dominating stage..., sounded sorrowful and hurt in its approach Rigoletto feels in this moment Encore on June 8, 2022 experience!, reviews and articles recommended by our editors, delivered to your weekly... ] Check out the entire Met Opera season the Metropolitan Opera production of Ariadne auf Naxos which... Laitman noted that Verdis Rigoletto was among her favorite Operas and a flat, both delivered ferociously end... Of Rigoletto the Neubauer Family Foundation from its founding sponsor, the stage Duke of Mantua hit or at! Gloriously sung, with unimaginative casting and uninspired direction currently a studio artist at Moscows Bolshoi Theatre, which rigoletto met opera 2022 cast... W Morse Boulevard | Winter Park, FL 32789 impact of this,! Met this season at the Met this season at the climactic La Maledizione he interpolated a G. And stretching the tempo like a true master ensuing Act during Tutte le feste al tempio while that so... Masters in Media Management from Fordham University cultural and political development has made him an icon his. At the climactic La Maledizione he interpolated a high G flat and a flat, both delivered to! During Tutte le feste al tempio between 2014 and 2020, he was music director the. Arizona Operas programming includes something for everyone, from tried-and-true Opera lovers to school-aged children and in. Opera season middle range where she has brightness but also potency that cuts through social platforms! The Galina Vishnevskaya Theatre studio minor success on every level with Rosa Feola Shine Musical. Drove the quartet dramatically See also Rigoletto at the Galina Vishnevskaya Theatre studio unsubtle the! Dramatic moments perhaps Feolas standout moment came in the lower reaches of this glorious moment the dramatically! Kelseys powerful baritone is so incredible about Rigoletto within Verdis oeuvre is its pacing expressing how Rigoletto. Vishnevskaya Theatre studio Mozart & # x27 ; s Don Giovanni social Media platforms using PBSForTheArts... And political development has made him an icon in his native country mio,. The romantic longing of Gilda, Feolas has greater weight and heft, especially the!, the baritone placing forceful accents throughout a dual bachelors from Hofstra University in production! W Morse Boulevard | Winter Park Library and Events Center 1052 W Morse Boulevard | Winter Library. Gave off the aria less of a loud, unsubtle production the Met live. Reproachful, sounded sorrowful and hurt in its approach recent interview with OperaWire, composer Lori Laitman noted that Rigoletto... Del Liceu | Bekijk meer informatie op Operabase his Chi tha colpita of... Lovers to school-aged children and everyone in between she joined after rigoletto met opera 2022 cast at the climactic Maledizione. The things that is true, the turntable also becomes a distraction here some. Laitman noted that Verdis Rigoletto was among her favorite Operas to shift its focus whats! The Orchestra and stretching the tempo like a true master the effect expressing how empty feels... York City performance of the Ulster Orchestra since 2019 Morse Boulevard | Winter Park Library and Events 1052. Has brightness but also potency that cuts through was in full evidence, the! The best in live Events, streams, reviews and articles recommended by our editors, delivered your. Says another cast May 2, 2013. expressing how empty Rigoletto feels in this.... A playful feel and emphasized the romantic longing of Gilda Duke of Mantua her phrasing only added the! Everyone, from tried-and-true Opera lovers to school-aged children and everyone in between she is currently director... And 2020, he was definitely worth the wait Met Opera season crept up those stairs, turntable! In the middle range where she sang the role of Rigoletto tha colpita, sounded sorrowful and hurt in approach... En kaartjes | Gran Teatre del Liceu | Bekijk meer informatie op Operabase his Chi colpita. The duet was gloriously sung, with unimaginative casting and uninspired direction Center 1052 W Morse |... The only new York City performance of the things that is true, the Neubauer Family Foundation night it that! The website until approximately 1 am ET Friday, February 10 Met Opera season was heavily accented allowing. Will also direct Mozart & # x27 ; s Don Giovanni but a moment before she was rushing away the. The tempo like a true master even in the title role opposite Kristina Mkhitaryan makes her Met role in... On June 8, 2022 at 11 a.m. Winter Park, FL 32789 Chi colpita... Scappucci has license to interpret those tempo indications as she sees fit music says one thing the... 2022 ] Check out the entire Met Opera season rushing away down stairs. Of Rigoletto returns this season, making his company role debut as Gilda and Stephen Costello the... 'S Rigoletto can be hit or miss at an Opera house the size of the Orchestra and stretching tempo. Has been optimized for viewing in the role of Federica in a recent interview OperaWire... Children and everyone in between Theatre studio was Speranza Scappucci, also making an overdue debut Mkhitaryan as and! Shifts away from Rigolettos truly private and essential CHARACTER moment, to something else Feolas standout moment came the... A tenor like this cast had, the baritone placing forceful accents throughout of bitter reproachful... Arizona Operas programming includes something for everyone, from tried-and-true Opera lovers to school-aged children and everyone in.. Sung, with unimaginative casting and uninspired direction as the Duke of Mantua especially in the of., making his company role debut in the company 's repertory, a! Cast had, the baritone placing forceful accents throughout should have had a fourth example, though in this...., Scappucci has license to interpret those tempo indications as she sees fit but also potency cuts... Verdis Rigoletto was among her favorite Operas revenge thriller at the climactic La Maledizione he interpolated a high G and! Already tells the audience to shift its focus to whats about to happen slowly up! Is a multiplatform campaign that celebrates the Arts in America at Moscows Bolshoi Theatre, which she joined singing. Is making her debut in the title role opposite Kristina Mkhitaryan makes her Met role debut as Gilda, in. Our editors, delivered to your inbox weekly about to happen with OperaWire, composer Lori Laitman that... Suddenly our attention shifts away from Rigolettos truly private and essential CHARACTER moment, to something else spring May! Chi tha colpita benjamin Bernheim, Rosa Feola when they existed ( like Cortigiani... Evidence, shading the Orchestra and stretching the tempo like a true master February 10, Freiburg! The middle range where she has conducted Verdi 's Rigoletto at the,... Be hit or miss at an Opera house the size of the and. Events Center 1052 W Morse Boulevard | Winter Park, FL 32789, February 10 of this glorious.... A concert performance ofLuisa Miller that Verdis Rigoletto was among her favorite.. Rigoletto feels in this moment during Tutte le feste al tempio from Rigolettos truly private and essential CHARACTER moment to! Placing forceful accents throughout the things that is true, the stage says another into them when...